Best With Headphones EP1
Carey Campbell is Professor of Music at Weber State University, where he teaches courses in music history.
Carey’s electronic compositions and improvisations tend to explore notions of decay, deformation, and delirium. Representative works include PBD19 for fixed-media electronics, Stratum for live and fixed-media electronics, and Something Old, Something New for live electronics, flute, and dancers. He frequently collaborates with theatre and dance productions, most recently composing the score for Weber State's production of Sarah Ruhl's Eurydice.
Selected Works and Projects
Incidental music for Where Words Once Were by Finegan Kruckemeyer (2017)
FORM (2018) for live electronics, in collaboration with WSU dancers and sculptors
RESONANCE (2019) for live electronics, in collaboration with WSU dancers, sculptors, and projectionists
PBD19 (2019) for fixed-media electronics and video
Stratum (2019) for live and fixed-media electronics
Something Old, Something New: Variations on JS Bach’s Partita (2019) for flute, live electronics, and dancers
Incidental music for Kate Hamill’s stage adaptation of Sense and Sensibility (2019)
Three Movements (2020) for flute and fixed-media electronics
Still No Answer (2020) for trumpet, flute, clarinet/cello, and live electronics
The Birthday of Folly (2021) simultaneous improvisation with live electronics, dancer, and author
Quiet Places Elude Me (2021) for fixed-media electronics and video
Score for Sarah Ruhl's Eurydice (2022)
Improvised accompaniment for readings of Edgar Allan Poe's "the Raven" and Robert Service's "the Cremation of Sam McGee" (2022) on homemade electronically enhanced instruments.
Kinetic Sound (2022) score for interactive sound/projection/sculpture installation